Literature

 

Barron M. (2010). Auditorium acoustics and architectural design. Spon Press, Oxon, ISBN10: 0-419-24510-3.

 

Beranek L. (2004). Concert halls and opera houses. Springer-Verlag New York, Inc., ISBN 0-387-95524-0.

 

Campbell M. & Greated C. (1987). The musician's guide to acoustics. Oxford University Press Inc., New York, ISBN 0-19-816505-6.

 

Dammerud J. J. (2006). Stage acoustics –Litterature review. University of Bath, www.akutek.info

 

Guettler K. (2004): Looking at starting transients and tone coloring of the bowed string. Journal of ITC Sangeet Research Academy 18: 60-76.

 

Guettler K., Askenfelt A. & Buen A. (2012). Double basses on the stage floor: Tuning fork–tabletop effect, or not? Journal of Acoustical Society of America 131: 795-806.

site address: http://knutsacoustics.com

 

Kahle E., Wulfrank, T., Jurkiewicz, Y., Katz, B. & Möller, H. (2012). Acoustic design of Grand Theatre projects in China. Journal of the Acoustical Society of America 131: 3242. DOI: 10.1121/1.4708097.

 

Meyer J. (2009). Acoustics and the performance of music. Springer, New York, ISBN 978-0-387-09516-5.

 

Möller H. & Peltonen T. (2001). Lateral efficiency in small auditoriums. Journal of the Acoustical Society of America 115: 2436. DOI:10.1121/1.4781643.

 

Näveri N. (2012). Pieni kirja konserttisaleista. Akukon, Helsinki, Oriveden kirjapaino.

 

Ueno K. & Tachibana H. (2005). Cognitive modeling of musician's perception in concert halls. Acoustical Science and Technology 26: 156-161.